By Marguerite Duras
"Duras's language and writing shine like crystals."—The New Yorker
"A stunning good fortune. . . . Duras is on the peak of her powers."—Edmund White
Available for the 1st time in English, Abahn Sabana David is a late-career masterpiece from one in every of France's maximum writers.
Late one night, David and Sabana—members of a communist group—arrive at a rustic residence the place they meet Abahn, the guy they've been despatched to protect and finally kill for his perceived transgressions. A fourth guy arrives (also named Abahn), and during the evening those 4 characters talk about existential rules of realizing, capitalism, violence, revolution, and canine, whereas a gun lurks within the history the whole time.
Suspenseful and thought-provoking, Duras's novel calls to brain the performs of Samuel Beckett within the manner it explores human lifestyles and discomfort within the complicated modern world.
Marguerite Duras wrote dozens of performs, movie scripts, and novels, together with The Ravishing of Lol Stein, the ocean Wall, and Hiroshima, Mon Amour. She's so much famous for the sweetheart, which acquired the Goncourt Prize in 1984 and was once made right into a movie in 1992. this is often her 3rd booklet to be released via Open Letter.
Kazim Ali is a poet, essayist, and novelist, and has released a translation of Water's Footfall by means of Sohrab Sepehri as well as co-translating Duras's L'Amour. He teaches at Oberlin collage and the collage of Southern Maine.
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Additional info for Abahn Sabana David
She stands and up and stares them down. Her glare is cutting. She addresses the Jew. ” “We can talk about what Gringo said later,” says the Jew in a low voice. ” She is silent. She looks at them, one after another. She pauses, they say nothing. ” “Do it,” says the Jew. ” She sits there, facing him, completely still. That violent blue stare. “The merchant’s police have abandoned the Jew to Gringo so he can kill him,” she says, her voice faltering. “Probably,” says Abahn. “They are agreed on this.
His voice is quiet, peaceful. The Jew has stopped. They hear a dull cry. It is not David. Another cry. The dogs howl out in response. The howling dies down. The silence freezes over, muffles it. The silence drags forth a sob from David’s chest. Sabana’s face contorts in pain. ” asks the Jew. She moves. She rises up and goes to the window. She passes by the Jew, she does not look at him, she is at the window, facing the empty street, lingering there. The only • sound is David’s breathing, which occasionally stops as if bumping up against some barrier, and then begins again, longer, deeper.
No. ” says Abahn. She turns back to the Jew. Eyes still wide. ” Silence. ” The Jew doesn’t answer. ” asks Abahn. ” The Jew’s voice comes so softly, one could hardly understand what he said. She is not looking at him anymore. ” They do not answer her. She answers herself. ” They still do not answer. ” “David,” says the Jew. She looks at Abahn. ” “I say no. ” 23 Marguerite Duras “No,” says the Jew. She stands and up and stares them down. Her glare is cutting. She addresses the Jew. ” “We can talk about what Gringo said later,” says the Jew in a low voice.