By El-Bassiouny A.H., Jones M.C.
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Extra info for A bivariate F distribution with marginals on arbitrary numerator and denominator degrees of freedom, and related bivariate beta and t distributions
Acknowledgements couple of academic institutions (in Padua and Turin) and which ended up not yielding a published result. Among the many things I learned on that occasion, and for which I am now especially grateful to Questa, there is one that is particularly important in the present context. It is a possible source of the name of the Verdian heroine. In the twelfth of the famous Dialogues of the Courtesans by Lucian of Samosata (second century ad) one of the hetaerae is indeed called Ιόεσσα, which literally means ‘violet’: Violetta.
Entretiens sur la paralittérature (Paris: Plon, 1970), pp. 33–53. The orchestral materials are preserved in the Bibliothèque Nationale de France (hereinafter BNF), Département de la Musique, Mat. Th (312), and include the following complete parts: violon conducteur, ﬁrst violin (two copies), second violin (two copies), viola, cello, double bass (three copies), ﬂute, oboe, clarinet, bassoons, cornet, trombones (three copies), timpani. 25 26 Verdi and the Parisian boulevard theatre focal points of on-stage development and functions as the nervous system of the performance.
With reference to Dumas’s adaptation and its relation to Luisa Miller, see also Emanuele Senici, Landscape and Gender in Italian Opera: The Alpine Virgin from Bellini to Puccini (Cambridge University Press, 2005), pp. 162ff. 39 40 Verdi and the Parisian boulevard theatre tableaux, the second ﬁve acts and six tableaux. ] The orchestral accompaniment (by Varney in collaboration with Robert-Auguste Stoepel and Sylvain Mangeant) provides ﬁfty-ﬁve musical numbers for the ﬁrst half and thirty-eight for the second.